The music of Conroy's pen

Last weekend, I almost learned to love poetry.

And it was by reading a narrative: Pat Conroy’s “The Prince of Tides.”

The book had been sitting idly in my bookshelf for more than a year before I decided to scan it for lack of interesting thing to do. Its title failed to suggest a captivating read so that if I had other options besides the classics I have lined up for myself, I would not have spared it a single glance, much less touch it. But as it was, the only books in my possession that remain unread are “oldies” so I decided to make do with it. Better that than have Mr. Boredom for company for a whole weekend.

Or so I thought.

The first sentence of the novel was so powerful it made me read on and on and, before I knew it, I was already hooked. Pat Conroy is a master storyteller; his sentences, a fusion of prose and poetry. Never in my rather bookworm life had I read a novel so melodious that, in more than one occasion, I’ve caught myself wondering if it was indeed prose, not poetry, that I was reading.

And the plot — intricate yet craftily woven. A story of a grotesque past, the novel presents how times of yore shape the future. And more important, how it is possible that sometimes, the only way to move forward is to re-trace one’s footsteps; and how healing could be had by coming to terms with the things we’d rather commit to non-remembrance.

For these reasons, I think I’d soon add works bearing the music of Conroy’s pen to my list of must-reads.